Archives For Hymns

“Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God.”

– Colossians 3:16

church cemetaryAugustine told us that the “law of prayer is the law of belief.”  In other words, what touches the heart is what tends to be remembered and treasured. In our day we could easily say that the law of song is the law of belief. I have many volumes of systematic theology on my shelves. Few of those will ever be read by the average believer, and not one line in any of those books will be remembered more than the lyrics of beloved hymns.  If music is a vital means of imparting spiritual truth to the hearts of God’s people, then it’s important we present as full a spectrum of theology as possible. That includes the reality of death.

“…it is appointed for man to die once, and after that comes judgment” – Hebrews 9:27

We all face the inevitability of it. Sometimes we’re reminded by the sudden and shocking departure of a loved one, or their slow descent into the shadows of death through disease. Sometimes the descent is our own. What about our young men and women in the military, or our police and rescue squads that place themselves in harms way? What about their families who face the threat with them?  How do we prepare our people to view death through the prism of hope and not despair? In part, we sing about it.

Songs about death don’t fall into the category of “happy-clappy,” and so they are often avoided. But the Scriptures don’t avoid it and neither should we. We must be preparing people to die, not simply react to death when it comes. We sing songs about facing trials and difficulties with faith. Why? Simply as a reaction? No! We sing those worship songs because they prepare the heart and fortify faith for the trials we surely will face. I’m grateful for two “re-tuned” hymns I have found genuinely full of faith in the face of death. These hymns I have used for funerals but, I have also used them in our worship service.They are not maudlin or cheesy, but instead rich in metaphor and truth. They also bring the hope we have in the face of death straight to our hearts and minds. Songs of hope help us live in the power of faith in future grace.

I’m going to share the lyrics to both songs here along with the links to where the sheet music can be obtained. Are there other songs about death you could suggest that might provide the same hope and truth?

It is Not Death to Die – Bob Kauflin

Original Words by Henri Malan (1787-1864), Translated by George Bethune (1847), Music, Chorus, and Alternate Words by Bob Kauflin. Sovereign Grace Music

It is not death to die
To leave this weary road
And join the saints who dwell on high
Who’ve found their home with God
It is not death to close
The eyes long dimmed by tears
And wake in joy before Your throne
Delivered from our fears

O Jesus, conquering the grave
Your precious blood has power to save
Those who trust in You
Will in Your mercy find
That it is not death to die

It is not death to fling
Aside this earthly dust
And rise with strong and noble wing
To live among the just
It is not death to hear
The key unlock the door
That sets us free from mortal years
To praise You evermore

© 2008 Integrity’s Praise! Music/Sovereign Grace Praise (BMI)

Lyrics, chord charts, piano and string scores.

Good Night by Matthew Smith

I journey forth rejoicing
From this dark vale of tears
To heavenly joy and freedom
From earthly bonds and fears
Where Christ our Lord shall gather
All His redeemed again,
His kingdom to inherit–
Goodnight, goodnight till then

Why thus so sadly weeping
Beloved ones of my heart?
The Lord is good and gracious
Though now He bids us part
Oft have we met in gladness
And we shall meet again
All sorrow left behind us–
Goodnight, goodnight till then

I go to see His glory
Whom we have loved below
I go, the blessed angels
The holy saints to know.
Our lovely ones departed
I go to find again
And wait for you to join us–
Goodnight, goodnight till then

I hear the Savior calling–
The joyful hour has come
The angel-guards are ready
To guide me to our home
Where Christ our Lord shall gather
All His redeemed again,
His kingdom to inherit–
Goodnight, goodnight till then

from Watch The Rising Day, released 17 August 2010

©2010 Detuned Radio Music
Written by Matthew S. Smith
Based in part on a hymn text by an unknown German writer, translated by Jane Borthwick

Find sheet music for Matthew Smith’s songs here.

Isaac Watts: The Hymn Writer

October 29, 2013

Isaac Watts: A Biographical Sketch, Part 4

Pinners’ Hall, London Here Isaac Watts preached from June, 1704, to October, 1708

Pinners’ Hall, London
Here Isaac Watts preached from June, 1704, to October, 1708

Come, we that love the Lord,
And let our joys be known;
Join in a song with sweet accord,
And thus surround the throne.

The sorrows of the mind
Be banished from the place:
Religion never was designed
To make our pleasures less.


– Watts, Hymn 20:1,2,10

Very early on his talent for rhyme and verse was apparent and intrigued his mother. Thinking that the rhymes he brought her might be “borrowed” from some other source, she challenged him one day as to his integrity, whereupon he sat down in her presence and composed the following acrostic:.

Title page of Watts first hymnal.

The title page of Watt’s first hymnal published in 1707


I  am a vile polluted lump of earth,
S o I’ve continued ever since my birth,
A lthough Jehovah grace does daily give me,
A s sure this monster Satan will deceive me,
C ome therefore, Lord, from Satan’s claws relieve me.

W ash me in thy blood, O Christ,
A nd grace divine impart,
T hen search and try the corners of my heart,
T hat I in all things may be fit to do
S ervice to thee, and sing thy praises too.

When Watts returned home for two years after his studies at Stoke Newington concluded, he was attending his father’s church and began to complain of the psalm singing. The metrical notes and chant-like singing carried no depth of beauty or heights of exaltation.  Watts loved the Psalms but he saw them as not always illuminating the glories of the gospel. When the congregation would sing, one line would lift hearts in praise but the next would bring the mind to thoughts of despair. He was quite sure the church could do better. One Sunday as he was complaining, Isaac Sr. challenged him to provide something better for the church to sing. The young man was already known as a poet, what about lyrics? The following Sunday he returned and the first hymn by Isaac Watts, “Behold the Glories of the Lamb” was sung at the Above Bar Congregational Church.

“Behold the glories of the Lamb, amidst His Father’s throne:
Prepare new honours for His name, and songs before unknown.  [Tweet this!]


Portrait of Watts taken from life by G. White, 1727.

Portrait of Watts taken from life by G. White, 1727.

The congregation was so enthused by the hymn that they requested a new one week after week. This was no small matter. While Germany had long been singing the hymns of Martin Luther, the church in England had steadfastly remained committed to singing only from the Psalter. The Psalms were the inspired Word of God! What could be more profitable? Yet Watts knew that the company of those under the New Covenant needed something more. He acknowledged that preaching needed improvement and better methods of prayer should be explored but when it came to the singing of praise, here the church failed most miserably!  In his own introduction to his book of hymns, he writes: “To see the dull Indifference, the negligent and the thoughtless air that sits upon the faces of a whole assembly, while the Psalm is on their lips, might tempt even a charitable observer to suspect the fervency of inward Religion; and ‘tis much to be feared that the minds of most of the worshippers are absent or unconcerned.” (From the preface to Watt’s preface to “Hymns and Spiritual Songs”)

For Watts, the glories of the gospel must stand front and center. He took issue with singing the songs of a lesser David when the greater David was the one we worshipped. Speaking of some of the Psalms he writes: “Some of them are almost opposite to the spirit of the Gospel… When we are just entering into an evangelic frame by some of the glories of the Gospel presented in the brightest figures of Judaism, yet the very next line perhaps which the clerk parcels out unto us, hath something in it so extremely Jewish and cloudy, that darkens our sight of God the Savior: Thus by keeping too close to David in the house of God, the veil of Moses is thrown over our hearts.” (From the preface to Watt’s preface to “Hymns and Spiritual Songs”)

The Rose - an illustration from the “Divine and Moral Songs “ -  Eighteenth Century Chap-books.

The Rose – an illustration from the “Divine and Moral Songs “ – Eighteenth Century Chap-books.

Much of the hymnody of Watts used today was written in the early period of his life when writing for his father’s church. His “Hymns and Spiritual Songs” was published in 1707 and included “When I Survey the Wondrous Cross,” “Alas, and Did My Savior Bleed,” and “Jesus, Thou everlasting King.” In 1719, Watts published his “The Psalms of David: Imitated in the Language of the New Testament, and Applied to the Christian State and Worship.” He wanted to make David and the Psalms speak in language that the church could relate to. “Oh God, Our Help in Ages Past,” “Jesus Shall Reign” and “Joy to the World” were among these hymns. Despite his immense suffering, he produced a great work of tenderness in 1720 entitled “Divine and Moral Songs, for the use of Children.”  In all, Watts wrote over 500 hymns, many of which are still published and in use today.

“Were the whole realm of nature mine, that were a present far too small;
Love so amazing, so divine, demands my soul, my life, my all.” – Watts
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Trash Talk with Isaac Watts

September 12, 2013

Isaac Watts - OutlawLGIsaac Watts was a very short man, hovering right around the 5′ mark. In Hood’s book, “Isaac Watts; His Life and Writings, His Homes and Friends,” the following anecdote is related. Once, when Watts was in a coffeehouse, he was in the way of a very tall man who was trying to get by him. He said to Watts:

“Let me pass, O giant!”

Watts replied, “Pass on, O pigmy!”

“I only referred to your mind,” said the giant;

“I also to yours,” replied Watts.


Isaac Watts: A Biographical Sketch, Part 2

"First built in 1431, destroyed by the Great Fire in 1666, rebuilt in 1681, and again destroyed by enemy action in 1940." - From London Rememebrs

Girler’s Hall – “First built in 1431, destroyed by the Great Fire in 1666, rebuilt in 1681, and again destroyed by enemy action in 1940.” – From London Rememebrs

The Student

To say that Watts possessed a superior intellect is no stretch. It is reported that when he was a child and was given any money he would exclaim “A book, a book, buy a book!” When he was just four years of age he began learning Latin and soon after, Greek. At six years of age (1680), he began attending a free grammar school in Southampton where he was tutored by Rev. John Pinhorne, a gentleman whose influence on Watts would extend for ten years.

By 1687, at the age of thirteen, his language skills would include French and Hebrew. The young student was taken notice of by learned men of the day. He was noted, said a Dr. Jennings”

“…for his sprightliness and vivacity: talents which too often prove fatal snares to young persons but, through the power of Divine grace, he was not only preserved from criminal follies, but had a deep sense of religion upon his heart…”
(Memoirs of the Rev. Isaac Watts, D.D., 1780, by Thomas Gibbons pg. 5)


Rev. Thomas Rowe's listing in the Dictionary of National Biography of England

Rev. Thomas Rowe’s listing in the Dictionary of National Biography of England

At sixteen (1690) he was ready to leave home for further education. A physician, Dr. John Speed, and others who could see his mental powers urged him to forsake the ranks of the dissenters so that he could attend a prestigious university. He refused, even though full tuition was offered to him. As Watts himself declared, he was determined to “take his lot among the dissenters.” He moved to Stoke Newington and took up his studies for the ministry at a school under the leadership of the Rev. Thomas Rowe, the pastor of the Independent Church that assembled at Girdlers’ Hall in the city, a church he would formally join in 1693. (Rowe was the son of the Rev. John Rowe who was ejected from Westminster Abbey due to the Act of Uniformity.) Watts was a diligent and hardworking student whose essays (in both Latin and English) and dissertations written while still a very young man reveal a spiritual and intellectual depth. He enjoyed a deep bond and friendship with Rev. Rowe during his time there.  Rowe was particularly impressed with Watts devotion and intellect and quickly came to relate to him as an academic peer.


In his piece “To the Much Honored Mr. Thomas Rowe, the Director of my Youthful Studies,” Watts writes:

“I hate these shackles of the mind
Forg’d by the haughty wise;
Souls were not born to be confin’d,
And led like Samson blind and bound,
But when his native strength he found
He well aveng’d his eyes.”

I love thy gentle influence, Rowe ;
Thy gentle influence, like the sun,
Only dissolves the frozen snow,
Then bids our thoughts like rivers flow,
And chose the channels where they run.”

In 1705, Rev. Rowe passed away. He lived just long enough to see Watts established in his pastoral ministry.

After concluding his studies, Watt’s returned home to Southampton and resumed attending his father’s church. According to his biographer, Thomas Gibbons, he spent the time in reading, “to possess himself of ampler knowledge,” meditation, “to take a full survey of useful and sacred subjects and make what he had acquired by reading his own,” and prayer, “to engage the divine influences to prepare him for that work to which he was determined to devote his life.” (Gibbons pg.92)

Isaac Watts: A Biographical Sketch, Part 1

Isaac Watts

I am writing a biography of Isaac Watts for a seminary class. I’m going to blog it here before compiling it. Comments, questions, even corrections are welcome! I greatly admire the man and I hope you find him as inspiring as I do. – Jeff

Isaac Watts, the father of English hymnody, whose hymns are loved and sung by Christians around the world was born in a time when the church desperately needed a “new song” to sing unto the Lord.

In the days before Isaac Watts, the church in England was lagging behind in the development of sacred hymns. If you were Anglican, you sang, or rather chanted, the Psalms. Initially it was viewed as a novel means of praise but after some time the monotony of call and response wrapped up in unimaginative melody became a tedious and uninspiring exercise. Watts, it would seem, was born for just “such a time as this.”

Watts Birthplace

Watts Birthplace

Isaac Watts was a child of persecution. The oldest of nine children, he was born in his parent’s home at 21, French Street on July 17, 1674 in Southampton, England. His mother, Sarah Taunton, was of French descent. Her family belonged to the French Huguenots and had fled France for England in the wake of the Saint Bartholomew’s Day Massacre. Beyond that we know little of her. His Father, Isaac Watts Sr. was part of the “Dissenting” or “Non-Conformist” church.

The Non-Conformists arose in opposition to the Act of Uniformity passed by parliament under the leadership of Charles II. During the civil wars that preceded Charles’ reign, the Puritans had jettisoned many of the practices of the Anglican Church which they viewed as having not separated itself enough from Roman Catholicism. The Act of Uniformity was passed to restore much of what had been rejected and to unify the church of England under one prayer book, ordaining body and polity. The effect of the act was anything but unifying. The day it was passed a time known as the Great Ejection commenced resulting in close to 2,000 clergy leaving the Church of England to form their own churches.

The Jail

The jail Watt’s father was confined to.

The persecution that followed included the prohibition of Non-Conformists from holding public office or military rank and being denied degrees from Cambridge or Oxford. Those ministers who conducted worship outside the Church of England were sometimes thrown into prison in an effort to squash their efforts and frighten their congregations. It was in these days that Watts Sr. was a deacon in the Above Bar Congregationalist Church. At least twice he was imprisoned for his refusal to leave the church and most biographical sketches make mention of his wife Sara nursing a little Isaac while visiting him in the “gaol.”

The senior Watts is recorded as being at one time a shoemaker and a clothier. He was a man of modest means. When it became apparent that staying in his home in Southampton would only result in further imprisonment, he went into exile in 1683 for a period of at least two years. This created a domestic hardship for the family but calmer winds began to prevail and he returned to Southampton  where he founded a boarding school that became quite well known, receiving children from America and the West Indies. He died at the age of 85 when Isaac, the son, would have been 63. He was a man of deep spiritual conviction whose influence on his Son was profound. Shortly before his father’s death, Isaac wrote him a letter that revealed the great depth of both of their hope in Christ. It concluded with the following:

Isaac Watt's Father

Watt’s Father


“Blessed be God for our immortal hopes, through the blood of Jesus, who has taken away the sting of death ! What could such dying creatures do without the comforts of the Gospel ? I hope you feel those satisfactions of soul on the borders of life which nothing can give but this Gospel, which you taught us all in our younger years… May you maintain a constant serenity at heart, and sacred calmness of mind, as one who has long passed midnight, and is in view of the dawning day ! ‘ The night is far spent, the day is at hand ! ‘ Let the garments of light be found upon us, and let us lift up our heads, for our redemption draws nigh. Amen.

I am, dear Sir,  Your most affectionate obedient Son, Isaac Watts.

“For the history of holy hymns is really the history of the Church.”

Edwin Paxton Hood: “Isaac Watts; His Life and Writings, His Homes and Friends”

Isaac WattsAs a child, it was clear that Isaac Watts was a young man of advanced intelligence. His mother was amazed to discover that he had begun composing verse before he was even 10 years old. Cautious that he had perhaps copied someone else’s material, she confronted him with that suspicion whereupon he sat down in front of her and composed the following:

I am a vile polluted lump of earth;
So I’ve continued ever since my birth;
Although Jehovah grace does daily give me,
As sure as this monster Satan will deceive me.
Come therefore, Lord, from Satan’s claws relieve me.

Wash me in thy blood, O Christ,
And grace divine impart;
Then search and try the corners of my heart,
That I in all things may be fit to do
Service to Thee, and sing thy praises too.

How prophetic those last two lines were! Little did the young man know that he would come to be known as the Father of English Hymnody whose songs would be sung around the world.

A wonderful treatment of this hymn by William Cowper (1731-1800)

To see the Law by Christ fulfilled,
To hear His pardoning voice,
Changes a slave into a child
And duty into choice.

No strength of nature can suffice
To serve the Lord aright
And what she has, she misapplies,
For want of clearer light.

How long beneath the Law I lay
In bondage and distress
I toiled the precept to obey,
But toiled without success.

Then to abstain from outward sin
Was more than I could do
Now if I feel its power within
I feel I hate it too.

Then all my servile works were done,
A righteousness to raise
Now, freely chosen in the Son,
I freely choose His ways.

Worship Tools 10.31.12

October 31, 2012


The Secret To Generating Your Best IdeasDavid Santistevan

Preparing Spontaneity in Worship – Part 1 by Sam Hargreaves

New Music and Charts

Justin Brooks is the contemporary worship leader at Church of the Incarnation in Dallas, TX.  He and his group, The Uptown Worship Band have released a great new treatment of some hymns as well as some liturgical music and original material. It’s called Hymns and Psalms and the chord charts are already available on their site. Order the CD here!

Visit IGNITECHARTS.coma service created by songwriters specializing in taking your songs and turning them into professional lead sheets, choir sheet music, or simple guitar charts.

Worship Leading

5 Tips to Improve Your Worship Leading and Singing featured at the Worship Community

Worship Tech

Has anyone tried out Worship Keeper planning software? Thoughts? 

Learn an Innovative Sound Check Method that Makes Musicians Happy at 7am! – By Andy@Musicademy

Avoiding Software Update Headaches – from Church Tech Arts

Worship Design

7 Tips for Creating an Engaging Worship Space from CCI

Veteran Technical Director and CCI Solutions Church Relations Director Duke DeJong shares ideas on how to create an engaging worship space. Join Duke on Facebook at &

The Screen Is The New Hymnal: 3 Steps To Better Worship Slides by Chris Bennett

“The screen is the new hymnal. This is both amazing and horrifying. Amazing because you can now introduce a new song with a few clicks instead of obtaining a new hymnal, but horrifying because now anyone can design their own digital hymnal… The design of worship slides may not seem like a big deal. But, second only to their Bible, they are the most important thing people read on a Sunday.”

Here’s Part Two of Mark Aaron Humphrey‘s Six Principles of Worship Design (Miss the first part? Six Principles of Worship Design (Part One))


Worship Tools 10.24.12

October 24, 2012


Why New Churches Should Sing Old Songs by Stephen Miller

10 Worship Leading Myths from Jamie Brown at Worthily Magnify

Ouch! – From Worship Connect  – “Last week, Geoff wrote:

‘… when I look at the advertising for worship leader positions in the nation’s churches I am distressed to see how many are asking for a video clip along with a CV or resume. …  Really, why do they want to see me or any other candidate leading a song before they consider whether I might lead their congregation in worship?’

Ouch. Guilty, as charged. Well, sort of…” Read More

Songs and Charts

Visit IGNITECHARTS.coma service created by songwriters specializing in taking your songs and turning them into professional lead sheets, choir sheet music, or simple guitar charts.

Vineyard Worship Podcast- What Can I Bring – “ we sit down to talk with Vineyard worship leader Anabeth Morgan about the Jeremy Riddle song ‘What Can I Bring.’ A live version of the song, led by Anabeth, is featured on the Vineyard Worship album, ‘I Love Your Presence- Live From Phoenix.’ ”  To download the audio from this podcast, click here.   To download a chord chart for “What Can I Bring,” click here.

Check out this beautiful hymn: Spirit, Keep Me Near the Cross by Stephen Miller . 

Worship Leading

Leading Worship with No Muscians? by 

Worship Team:


Vocal Skills Seminar for Singers: Breathing, Posture and Warm-ups – a free one hour video seminar from Musicademy’s Nicki Rodgers


A Guide to Guitar Effects Pedals for Beginners by Andy@Musicademy

Worship Design

Worship Lighting Colors – from @visualworshiper

“Color in worship lighting is one of the most over-looked and misunderstood visual worship elements.  I literally cringe when I see 17 different colors in a room during worship.  Just like each instrument has a part to play and has a specific tone, and just how every word of the song or prayer or sermon is chosen because it has a specific meaning, COLORS have their own meaning in worship, and we would be wise to be aware of what each one means”

Six Principles of Worship Design (Part One) by Mark Aaron Humphrey